製作：

(株)日経映像／(株)NHKエンタープライズ／NHK

ダイナミックな地球の営みをディレクター自らが体感するシリーズのブルガリア編。世界的に稀有な大理石のピリン山脈と古代ブルガリア・トラキア黄金文明との意外な関係を追う。

Production：

Nikkei Visual Images, Inc. / NHK ENTERPRISES, INC. / Japan Broadcasting Corporation

In the Great Nature series, the director personally experiences breathtaking landscapes, mysterious phenomena and the dynamic forces of the Earth that can only be witnessed in their unique locations. In the Bulgaria edition, the program uncovers the surprising connection between the rare marble peaks of the Pirin Mountains that reach up to 3,000 meters and the ancient gold-rich Thracian civilization. It explores Europe’s largest cave and cradle of civilization, the Devetashka Cave, and the miraculous phenomenon of the Pirin Mountains bathed in a golden light.

製作：

難波由城雄

小さな生き物たちの素早い動きをスローモーションで記録。死んだふりをしたり、ジャンプに失敗したり、ウンチをする様子など、里山での小さな命の輝きを見つめた。

Production：

Yukio Nanba

This work reveals the tiny sparks of life in Japan’s satoyama, a rural landscape where people and nature coexist in harmony . The nimble movements of small creatures are captured in slow motion. When sensing danger, some insects feign death or mimic plants, while a tree frog’s failed jump is shown with a humorous touch. There’s also a segment on the diverse pooping behavior of insects. Seeds pecked by birds are carried by the wind, giving rise to new life in spring.

製作：

国立アイヌ民族博物館

トンコリ奏者として国内外で活躍するOKIを監督に迎え制作した、主演者それぞれの生きがいをテーマに今の時代を生きる「普段着のアイヌ」を映し出すドキュメンタリー作品。

Production：

National Ainu Museum

Kane Kumagai, born and raised in Samani Town, is passing down the Ainu culinary traditions she learned from her mother. Yumi Takiguchi, born near Lake Akan, now lives in Kyoto, where she runs a publishing company while studying and teaching the Ainu language. Shigeki Amanai, who grew up in Shiranuka Town with a vibrant fishing industry, makes a living as a hunter. Coming from different regions and generations, each faces their roots in their own way.

製作：

(株)桜映画社

クライアント：

(株)榮太樓總本鋪

1965年に製作された記録映画を、35mmフィルムからの４K化、ナレーションと音楽も現代にあわせて再録音。和菓子の歴史を古代の成り立ちから現代まで辿り、独特な世界を描く。

Production：

Sakura Motion Picture Co., Ltd.

Client：

EITARO Sohonpo Co.

Tracing the history of Japanese sweets from their ancient origins, the film depicts their unique world, including the Japanese people’s appreciation of sweets and the aesthetic spirit that past artisans infused into the small confections. From a long-established Kyoto-style sweets store and the exquisite handwork of confectioners who express the essence of the seasons with just a spatula, to the nostalgic, toy-like sweets of festival stalls, the film preserves precious traditions and craftsmanship that are gradually disappearing.

製作：

三上泰輝

母は、息子が毎日宿題をサボっていることを知る。中間反抗期へ突入したと考えた母は、かつて演劇部で出会った夫と夫婦喧嘩を演じて息子を矯正しようと画策するが…。

Production：

Taiki Mikami

Akari Tachibana finds out that her son, Mamoru, is not doing his homework. Thinking he has entered a rebellious phase, she and her husband -- whom she met in drama club -- stage a marital argument to set him straight. After the first plan succeeds, she prepares for their second act. But on the day they are supposed to perform it, unexpected visitors arrive.

製作：

葉昭均／内山智博

舞台は蒸し暑くてゴミに溢れた台北。少女が眠ってしまい、大雨が降り出すと夢の世界での冒険が始まる。ネズミたちに出会い、「乙女の祈り」の調べとともに一緒にダンスを踊る。

Production：

Chao-chun Yeh / Tomohiro Uchiyama

In sweltering and trash-strewn Taipei, a girl irritated by the heat and making an “ah” sound into an electric fan eventually dozes off in an apartment room. When a downpour arrives, the girl’s adventure begins in her dream. She comes across mice performing “A Maiden’s Prayer” and they dance together to the melody.

製作：

上野詩織

20歳の優実には、歳の離れた友人がいる。変わり者で無責任な石井だが、二人は気が合った。ある日、石井は『私たちは人生に問いかけられている』とメモを残し、姿を消す。

Production：

Shiori Ueno

Yumi, 20 years old, has an older friend named Ishii, who is eccentric and irresponsible. But Yumi, who supports herself and her unemployed mother, gets along with her. One day, Ishii disappears, leaving a note saying, “We are being questioned by life.” The note gives Yumi the push she needed to leave home. Six years later, now living in a city, Yumi finds herself reflecting on the past and wondering what Ishii is doing and where.

製作：

Chavo

被爆地・広島を目指す少年が、旅の途中で一人の女性と出会い、初恋と喪失、戦争の記憶に揺れながら成長していく。一方、愛し方がわからない父親もまた、息子の背中を追う。

Production：

Chavo

A boy heading to the atomic-bombed city of Hiroshima meets a woman on his journey. The short film depicts the boy’s growth as he is shaken by his first love, loss and the memories of war.
Meanwhile, his father, who is unable to express love, continues his own journey, chasing after his son. It is a cinematic poem where the philosophies of Schopenhauer and Nietzsche serve as the axis on which their paths cross, and only the unspoken emotions remain.

製作：

寺谷千穂

はなの父は「中華蕎麦 来福亭」を閉めることに。閉店日、最後にやってきたのは父の元弟子である慎太。はなはきっと一生忘れることのない来福亭での最後の時間を過ごす。

Production：

Chiho Teratani

Hana’s father had decided to close his ramen shop Raifukutei. On the shop’s final day, the last customer is her father’s former apprentice Shinta. Hana shares the final moment at Raifukutei that she will likely never forget.

製作：

恵水流生

昨今の人種問題をテーマに、日本の昔話「狐の嫁入り」を元にしたオリジナル作品。差別意識をなくし、多様性を認め合うきっかけとなればという思いから制作された物語。

Production：

Ryusei Emi

An ancient Japanese legend tells that when there’s a sun shower, a fox’s wedding will take place. It is said that anyone who sees it will be met by ill fortune. As Saburo and his sister play hide-and-seek one sunny day, it suddenly begins to rain and they see a mysterious scene in a field of silver grass. Based on the folktale "The Fox’s Wedding," the film depicts the insular nature of village society, discriminatory attitudes, and the fear of the unknown.

製作：

(株)ギークピクチュアズ／(株)ルート・アンド・アソシエイツ

クライアント：

岡山トヨペット(株)

代理店：

(株)第一エージェンシー／(株)POPS

ほろ酔いの男性が駐車場に停めた車のドアに手をかけた瞬間、彼の中の“天使”が腕をつかみ制止。すると背後から彼の中の“悪魔”も現れ、天使と悪魔の押し問答が始まる。

Production：

GEEK PICTURES Inc. / ROUTE & ASSOCIATES

Client：

Okayama Toyopet Co., Ltd.

Agency：

Daiichi Agency co.,ltd. / POPS Inc.

When a slightly drunk man leaves a bar and reaches for his car door, his inner “angel” stops him. Then the “devil” appears, urging him to drive. Temptation wins until he notices a baby seat in the back. Choosing the angel’s voice, he decides to walk home instead. But at a crosswalk on his way home, an unexpected tragedy awaits.

製作：

パナソニック映像(株)

クライアント：

パナソニック プロダクションエンジニアリング(株)

若きプロジェクトリーダーが、トラブルに見舞われながらも、情熱を失わず、最適なソリューションを提供するためにお客様や仲間と語り合い、困難を乗り越え成長していく。

Production：

Panasonic Visuals Co., Ltd.

Client：

Panasonic Production Engineering Co., Ltd.

This is the story of a young project leader at Panasonic Production Engineering who overcomes challenges and grows stronger. Even when faced with trouble, she maintains her passion for manufacturing and strives to deliver the best solution through open discussions with clients and colleagues.

製作：

長崎文化放送(株)／LUCA(株)

クライアント：

長崎県西海市

長崎県西海市の自然や人々とのふれあいを通して、忘れかけていた感情や「本当に大切なもの」に気づいていく物語。何気ない瞬間に宿る、かけがえのない輝きを映し出した作品です。

Production：

Nagasaki Culture Telecasting Corporation / LUCA Inc.

Client：

Saikai City, Nagasaki

In Saikai City, Nagasaki Prefecture, a woman rediscovers forgotten emotions and what truly matters through her interactions with the local people and nature. The drama-style video combines a monologue inspired by the voices of actual residents with soothing visuals and music. More than a simple tourism guide, it leaves a lingering impression that softly touches the depth of our hearts, gently highlighting the richness of everyday life.

製作：

(株)モンタージュ

クライアント：

（公社）2025年日本国際博覧会協会

協賛企業の４業種それぞれの未来の夢を描く。
グラフィック、３DCG、アニメ、人形劇。
既視感のある未来映像ではなく、自由な発想で未来の夢を表現しました。

Production：

MONTAGE Inc.

Client：

Expo 2025 Osaka, Kansai, Japan

Four creators envisioned four different futures, each expressing their dreams in their own unique style. Imagined futures tend to be educational or clichéd, but the focus was to have fun and not whether the futures are realistic. Each creator approached the theme in their own way, to encourage viewers to realize they are free to imagine. Collaborating with other production companies in an unrestricted team setup allowed us to inspire each other and enjoy the creative process.

製作：

(株)DNPコミュニケーションデザイン

クライアント：

積水化学工業(株)

代理店：

大日本印刷(株)

水面に落ちる1粒の水滴をきっかけに、さまざまな“円”が入り乱れる。一つ一つの円は人の知識や記憶であり、それぞれの世界感であり、可能性を感じさせる何かである。

Production：

DNP Communication Design Co., Ltd.

Client：

SEKISUI CHEMICAL CO., LTD.

Agency：

Dai Nippon Printing Co., Ltd.

The various circles represent human knowledge and memory, individual worldviews and something that hints at potential. The merging of the circles serves as a metaphor for the beginning of a fresh innovation. The circles successively replacing one another evoke Sekisui Chemical’s technological expertise, such as in biomimetics, mathematics, engineering and molecular science, and aim to cultivate a sense of expectation and trust.

製作：

太陽企画(株)

クライアント：

アフラック生命保険(株)

こどもの体に現れた「敵」に直面する家族。大変な時に「ひとりじゃない」と思える心強さを、手描きアニメーションとコマ撮りで優しく表現した作品。

Production：

TAIYO KIKAKU Co., Ltd.

Client：

Aflac Life Insurance Japan Ltd.

An “enemy” suddenly appears inside the body of a seemingly healthy child. A mother feels her heart break under the weight of the harsh reality. But realizing that she’s not alone, she begins to confront the enemy. A gently expressed work combining hand-drawn animation and stop motion.

製作・代理店：

LUCK(株)

クライアント：

マツダ(株)

西本尚子さんは、25年間愛車RX-7と共に過ごしてきた。80歳を迎えるにあたり、免許を返納し愛車との別れを決意。別れの3日間を通じて、クルマが人生を豊かにすることを描く。

Production・Agency：

LUCK inc.

Client：

Mazda Motor Corporation

Naoko Nishimoto, a 79-year-old resident of Nagasaki, has been driving her Mazda RX-7 for 25 years. She decided to give up her driver’s license and part with her car on her 80th birthday. When she was looking for a new owner, Mazda offered to take the car and give it a new life as the company’s PR vehicle. This short film documents Nishimoto’s final three days with her beloved car, showing her deep affection and how a car can enrich one’s life.

製作：

(株)Kプロビジョン

クライアント：

鹿島建設(株)

「CO2-SUICOM」というコンクリートがなぜCO2の排出量をゼロ以下に出来るのか？という疑問を分子レベルのCGアニメーションでわかりやすく解説します。

Production：

K-PROVISION Co., Ltd.

Client：

KAJIMA CORPORATION

CO2-SUICOM, a carbon-capturing concrete, is a solution from the construction sector to address the global environmental challenges of decarbonization and carbon utilization. This video explains the technology’s uniqueness and advantages at the molecular level. It was created for screening in the Sustainable Dome at the Osaka Expo, which was built using CO2-SUICOM.

製作：

(株)ＤＮＰコミュニケーションデザイン／(株)グミ

クライアント：

日清オイリオグループ(株)

代理店：

大日本印刷(株)

“油”の製造工程を通じて、品質と安全性へのこだわり、工場の力強さを伝えることを目的とし、製造工程の紹介にとどまらず、生活者との深いつながりや企業の姿勢を訴求。

Production：

DNP Communication Design Co., Ltd. / gumi co.,Ltd.

Client：

The Nisshin OilliO Group, Ltd.

Agency：

Dai Nippon Printing Co., Ltd.

The video shown in the theater for factory tour guests depicts the journey of oil from raw material to final product as a message to the viewer. Using drone shots and special effects, it creates an immersive and memorable experience. Faithfully capturing the workers’ dedication on the factory floor, it conveys the company’s sense of mission and its connection to consumers through food. Designed to work in synergy with the tour, the video aims to enhance understanding and dramatic impact.

製作：

(株)アストラカン

クライアント：

足立建設工業(株)

足立建設工業が主力とする下水道管のリニューアル工事などを、迫力ある現場映像や社長・社員のインタビューで紹介し、インフラを支える最前線の姿を立体的に描く。

Production：

ASTRAKHAN Co., Ltd.

Client：

Adachi Construction Industry Co., Ltd.

The short film showcases Adachi Construction Industry’s core business, the renewing of sewer pipes, and its innovative SPR method, which allows pipe rehabilitation without excavation. Along with dynamic footage of the worksites, the company’s president and employees share the meaning and sense of mission behind their work. The film also introduces the company’s broader projects -- from water pipe construction to relief efforts following the Noto Peninsula earthquake -- vividly illustrating the value of frontline work that keeps infrastructure running.

製作：

ソニーPCL(株)

トラウマを抱える宇宙飛行士が、宇宙が舞台の映画撮影に監修として招かれる。避け続けていた苦い記憶と対峙することで映画にリアリティをもたらし、彼自身も立ち直り始める――

Production：

Sony PCL Inc.

An astronaut suffering trauma from a terrible mistake in the past is invited to serve as a supervisor on the set of a space-themed movie. When the film crew seeks his advice, he is forced to confront the painful memories he has long avoided. But his experience lends realism to the film, and in the process, he takes his first step toward overcoming his trauma.

製作：

(株)bird and insect

クライアント：

キヤノン(株)

代理店：

(株)AOI Pro.

「EOS R50 V」の誕生にせまる開発者インタビュー。設計・UI・デザインなど各部門の担当者に話を聞き、動画時代に向けた新たな挑戦とそれぞれの領域に込めた想いを掘り下げた。

Production：

bird and insect ltd.

Client：

Canon Inc.

Agency：

AOI Pro. Inc.

An interview with the developers of Canon’s EOS R50 V features those responsible for product planning, design, UI, and other areas, exploring the new challenges they faced in creating a camera for the video era and the passion they brought to their respective roles.

製作：

(株)エスプロ

クライアント：

西松建設(株)

代理店：

(株)日本経済広告社

西松建設に入社した新人社員が記念社史の中を飛び回り、150年の少し不思議な旅に出る。先人達の積み重ねた想いと彼らの技術を継承し、次の150年…まだ見ぬ未来へと向かう。

Production：

s pro, inc.

Client：

NISHIMATSU CONSTRUCTION CO.,LTD.

Agency：

NIHON KEIZAI ADVERTISING CO., LTD.

A new employee at Nishimatsu Construction finds herself traveling through the company’s 150-year history and visiting the many sites it has built along the way. Through the journey she comes to embrace a resolve to carry forward the timeless passion and expertise of her predecessors and look ahead to the next 150 years… toward a future yet to be seen.

製作：

(株)東北新社

クライアント：

サイボウズ(株)

代理店：

(株)日本経済広告社

「女性管理職って何だろう」大沢部長は、中学生の息子を育てながら、意思決定できる職位の意義以上に、経営陣に対峙し、かつ部下をモチベートする等、責任の重さに悩む。

Production：

TOHOKUSHINSHA FILM CORPORATION

Client：

Cybozu, Inc.

Agency：

NIHON KEIZAI ADVERTISING CO., LTD.

Osawa, the head of a corporate department and a mother of a junior high school son, feels more burdened by the weight of her responsibilities than fulfilled by the power to make decisions. She must manage the demands of male executives who value numbers and efficiency, while motivating subordinates who prioritize individual needs. How can she value diversity and nurture strength from their differences? As Osawa takes on the new challenge of cultivating teamwork, she begins to sense a change within herself.

製作：

太陽企画(株)／(株)電通

クライアント：

(株)ユニクロ

「地元のコンビニに行くとき、服装油断しがち」など、ちょっと恥ずかしいけど自分もやってる…という絶妙な共感ポイントを刺激する「あるある」、「いるいる」をCMに。

Production：

TAIYO KIKAKU Co., Ltd. / DENTSU INC.

Client：

UNIQLO CO., LTD.

This collection of commercials depicts embarrassing situations that many people can relate to, such as running into a friend at a convenience store in your hometown when you’re looking sloppy and loosening the waist of your clothes after overeating at your in-laws’ house. The commercials focus on portraying recognizable, true-to-life characters and avoids mentioning the products, aiming to provide enjoyable content for the holiday season.