製作：

(株)KEY pro

クライアント：

サントリーホールディングス(株)

代理店：

(株)電通／(株)電通アドギア／TeTo

665枚の版木と288時間に及ぶコマ撮り。AI時代に手作業を貫く制作工程そのものが、「なぜ、そこまでやるのか。」というコピーを体現している。

Production：

KEY pro INC.

Client：

Suntory Holdings Limited

Agency：

DENTSU INC. ／DENTSU AD-GEAR INC. ／TeTo

Four layers of printing blocks are created from scratch, with 60 people hand-carving a total of 665 blocks. Filmed frame by frame over 288 hours, with each carving stroke synchronized with light, the process embodies respect for the materials and the relentless dedication at the heart of Japanese craftsmanship. The original score is by Joe Hisaishi. In the age of AI, the film demonstrates through the process itself why it matters for humans to do things by hand, answering the question: “Why go to such lengths?”

製作：

NTT東日本(株)／(株)NTTe-Sports／(株)タグボート／(株)ハッチ

秋田を夏いちごの新たな産地へ。地域課題に向き合いながら、ブランド「秋田夏響」の産地形成をめざし、仲間とともに持続可能な地域づくりに挑む姿を描く。

Production：

NTT EAST, Inc／NTTe-Sports Inc.／TUGBOAT／HATCH Inc.

This film follows efforts to establish Akita as a production region for “Akita Natsuhibiki,” a new brand of summer strawberries. Nakatogawa of NTT AgriTechnology, who plays a central role in the project, tackles local challenges while working to build a local system that encompasses not only production but also processing, distribution, and sales. By building a wider circle of supporters and working through trial and error with local partners, the film follows the NTT EAST Group’s efforts to build a sustainable and prosperous society.

製作：

NTT東日本(株)／(株)Xero

8人で漕ぐエイトは、最速を誇るボート競技の花形。社会人として働きながら夢を追う選手たち。勝敗に泣き、衝突に悩み、それでも再びオールを握る彼らのドキュメンタリー。

Production：

NTT EAST, Inc.／Xero inc.

Why take on the grueling sport of rowing? The eight is rowing’s premier event and its fastest boat class. Once dominant, the men’s eight had failed to deliver results for two consecutive years. This documentary follows athletes pursuing their dreams while working full-time. They are brought to tears by the outcomes of competition and struggle with conflicts, yet they keep coming back to their oars. The documentary culminates with NTT EAST Rowing Club winning the men’s eight at the Japan Rowing Championships for the first time in three years.

製作：

(株)ロボット

クライアント：

レンゴー(株)

ダンボールキャラクターがはぐれた相棒を探す旅の中で、自らの存在が様々な新技術と共に陸・海・空の環境を守る様子を目にする。ダンボールの持つ持続可能性を伝える物語。

Production：

ROBOT COMMUNICATIONS INC.

Client：

Rengo Co., Ltd.

A cardboard character sets out on a journey to find its lost companion, encountering ways in which cardboard, together with various new technologies, helps protect environments on land, at sea, and in the air. Through a journey of farewells, adventure, and new encounters, this road movie explores the sustainable potential of cardboard.

製作：

(株)POPS／(株)ギークピクチュアズ

クライアント：

岡山トヨペット(株)

代理店：

(株)第一エージェンシー

歩行中の交通事故死傷者数が最も多い年齢は高齢者ではなく7歳。視覚的にドライバーに気づかれやすい格好をすることの大切さに、自然と視聴者が気づいてくれるような表現を目指した。

Production：

POPS Inc. / GEEK PICTURES INC.

Client：

Okayama Toyopet Co., Ltd.

Agency：

Daiichi Agency co.,ltd.

In black-and-white footage, an elementary school boy gets ready for school. His mother replaces his knit cap with a baseball cap and attaches a teddy bear keychain to his backpack. On his way home, the curious boy suddenly runs into the street. Just then, the cap and teddy bear turn yellow, catching the driver’s eye and enabling the driver to spot the boy and brake just in time to avert an accident.

製作：

(株)DNPコミュニケーションデザイン

クライアント：

パナソニック ホームズ(株)

代理店：

大日本印刷(株)

オランダのアーティスト、アリー・ファン・ト・リート氏のパナソニック ホームズのカレンダー用新作制作風景。花々や生物の有機的な美しさの本質を、X線を使って捉える。

Production：

DNP Communication Design Co., Ltd.

Client：

Panasonic Homes Co., Ltd.

Agency：

Dai Nippon Printing Co., Ltd.

A behind-the-scenes film documenting the creation of a new work produced for a calendar. Arie van ’t Riet’s studio is located in the countryside about a 20-minute drive from Deventer, a historic city in the eastern Netherlands. In this nature-rich setting, the camera captures Arie’s X-ray techniques, which reveal the delicate internal details of living things, including the stamens and pistils of flowers. It also conveys the philosophy behind his work.

製作：

(株)DNPコミュニケーションデザイン／(株)TREE Digital Studio

クライアント：

大同生命保険(株)

代理店：

大日本印刷(株)

発生が懸念される南海トラフ地震に備え、専門家の科学的解説と被災企業の証言を通じて、中小企業に求められるBCPと防災対策の重要性を伝える。

Production：

DNP Communication Design Co., Ltd.／TREE Digital Studio Inc.

Client：

DAIDO LIFE INSURANCE COMPANY

Agency：

Dai Nippon Printing Co., Ltd.

“Beyond the Quake” combines expert scientific commentary with interviews with businesses that could be affected by a Nankai Trough earthquake. Through firsthand accounts, the film creates a sense of immediacy that helps viewers recognize that disasters could affect them personally, while conveying the importance of business continuity planning (BCP) and everyday preparedness for small and midsize businesses. Under the supervision of leading experts in disaster prevention and mitigation, the film also aims to raise awareness of disaster preparedness beyond the corporate sphere.

製作：

(株)クリエイティブアイズ

クライアント：

(株)西尾家具工芸社

約80年にわたり学校家具をつくり続けてきた西尾家具工芸社。その環境への取り組みを通して、環境問題を社会の課題ではなく、私たち一人ひとりの問題として見つめ直す。

Production：

CreativeEyes inc.

Client：

NISHIO KAGU INDUSTRIAL ART CO., LTD.

Centered on the environmental initiatives of Nishio Kagu Industrial Art Co., Ltd., which has been making school furniture for nearly 80 years, this film asks people from diverse professions, “What is something you hope will never disappear?” Following their answers and explorations, it invites viewers to see environmental issues not simply as societal challenges, but as matters that affect each of us personally. The film shows how the commitment to keep asking questions has shaped the company’s history and helps preserve what matters and pass it on to future generations.

製作：

(株)KEY pro／(株)UNITED PRODUCTIONS

クライアント：

カルビー(株)

代理店：

(株)電通

普段何気なく食べているカルビーのポテトチップスが、いかに量・質ともにこだわって作られているのか、Quiznockが、商品にまつわる裏側をクイズを交えながら掘り出していく。

Production：

KEY pro INC. ／UNITED PRODUCTIONS, INC.

Client：

Calbee, Inc.

Agency：

DENTSU INC.

QuizKnock explores how Calbee potato chips, a familiar everyday snack, are made with meticulous attention to both quantity and quality, incorporating quizzes about the product along the way. Focusing on the potatoes at the heart of every chip, the program offers a fun look at the lesser-known “secrets behind the taste,” from field preparation and cultivation methods to the ingenuity of contract growers.

製作：

(株)クオラス／コベルコビジネスパートナーズ(株)

クライアント：

(株)神戸製鋼所

神戸製鋼所創立120周年を記念して制作。過去から現在へ受け継がれる企業の苦難と挑戦の歴史を、本格長編アニメーションで表現した新しいブランドコミュニケーション映像。

Production：

Quaras Inc. / Kobelco Business Partners Co., Ltd.

Client：

Kobe Steel, Ltd.

In 2021, Asumi, an employee at KOBELCO, feels powerless in the face of the challenges confronting the company and struggles to find meaning in her work. Then, a mysterious company history book takes her back to Kobe in the Meiji era. There, she encounters the passionate people behind the founding of Kobe Steel and meets Torasuke, a young man who pursues his dreams, believing in the promise of industrial development. Thus begins their journey through KOBELCO’s history. As they discover the dreams passed down through generations, what future will they choose?

製作：

野口雄大／中臺孝樹

人工呼吸器をつけた10歳の少年が、沖縄の無人島への冒険ツアーに挑む短編ドキュメンタリー。「無人島に行きたい」というまっすぐな想いが医師の心を動かし、旅が実現する。

Production：

YutaNoguchi／Takaki Nakadai

This short documentary follows 10-year-old Soma Yoshihara, who uses a ventilator, as he embarks on an adventure to an uninhabited island in Okinawa. With no electricity or running water, the journey poses potentially life-threatening risks. But Soma’s heartfelt wish to visit an uninhabited island moves his doctor, who decides to accompany him. With the help of many people, Soma crosses the sea and sets foot on the island. His small act of courage reminds those around him of the things that matter most.

製作：

(株)エネット／ 日本放送協会／(株)NHKエデュケーショナル

北イタリア・ボローニャ郊外の森で、築200年の石造りの家に暮らすワイヤーアーティストのチズさん。豊かな自然の中で育まれる家族の形とは？３人の娘たちと織りなす物語。

Production：

ENNET,INC.／Japan Broadcasting Corporation／NHK Educational Corporation

In a forest on the outskirts of Bologna in northern Italy, wire artist Chizu Kobayashi lives with her family in a 200-year-old stone house. How does living close to nature shape a family? This is a story woven with her three daughters, unfolding from spring into summer.

製作：

(株) LPJ

夢を追うことへの葛藤がある兄と、こだわりの強い弟。２人が下関の叔母のもとで夏休みを過ごす中、名産品「ちくわ」を通じて自身の可能性に気づき、一歩を踏み出す物語。

Production：

LPJ Ltd.

Kai, the responsible older brother, struggles with whether to pursue his dreams. His younger brother, Hiro, has difficulty controlling his emotions and is strong-willed. Due to family circumstances, the two spend their summer vacation in Shimonoseki, where the rich natural surroundings and encounters with local people introduce them to diverse perspectives and encourage them to look inward. Delighted by the local specialty, chikuwa, they set out to create a streaming program to share its appeal. Through this experience, they discover their own potential and take a step toward the future.

製作：

クワ　ウケン （東京藝術大学大学院）

没入的な一人称視点で暴力を通して無意識に「大人になる」感覚を描いている。少年は、かつて父親にもらったナイフを手に取る。その後の行動は、彼を「男」にしたのか。

Production：

Sam KUWA　（Graduate School, Tokyo University of the Arts）

“So He Grabbed the Knife” is a VR animation based on my own childhood memories. Set in my hometown of Chongqing, it explores the feeling of unconsciously “growing up” through violence and competition. I recreated the landscapes from my memories in a VR space, hand-colored them, and reconstructed them as a 360-degree video. Through an immersive first-person perspective, I hope to share the sensation of entering into memory itself as a cinematic experience.

製作：

須藤 彰

アパートに暮らす颯太は 亡き恋人・綾芽の遺品整理をしていた。 そこで見つけたのは彼女が回していたシングル８カメラだった。８ミリフィルムが紡ぎだす哀愁と幻想、そして 新たな再生の物語。

Production：

Akira Sudo

Sota lives in an apartment in Tokyo and is sorting through the belongings of his late girlfriend, Ayame. Among them, he finds a Single-8 camera she used to film with. Haunted by guilt, Sota wanders through his dreams… A speeding model car. Memories of an 8mm zombie film. The modest life he shared with Ayame. As Sota wrestles with lost time and his lingering feelings for Ayame, what answer will he find?

製作：

関 寛之

かつて新婚旅行で訪れた山に登ろうとする夫婦。
夫はある秘密を抱えて山頂を目指していた。

Production：

Hiroyuki Seki

Inspired by my own family situation, this film explores a social issue that Japan cannot afford to ignore, given its demographic makeup, yet for which no solution has been found.

製作：

室田 晋

フリーの役者である田中美咲は、SNSでコンタクトをとってきた平田郁江から、とある依頼を受ける…。

Production：

Shin Murota

Misaki Tanaka, a freelance actor, receives a request from Ikue Hirata, who contacts her through social media…

製作：

大久保陽人（聖徳学園中学・高等学校）

大明高校の「退部代行部」は、幽霊部員撲滅を掲げ、退部を言い出せない生徒を支援する異色の部活だ。部活動の光と影を描く、再生と成長の物語。

Production：

Haruto Okubo （Shotoku Gakuen Junior & Senior High School）

Taimei High School’s Resignation Club is an unusual club dedicated to eliminating inactive members by helping students who struggle to quit their extracurricular activities. Club president Reika Yatsudera recruits Yusei Sato, a former basketball club member, and together they reconsider the role of school clubs. However, they clash fiercely over how to handle a particular club. Troubled by Yusei’s unexpected proposal, Reika eventually finds a new vision for the future. This is a story of renewal and growth that explores both the bright and dark sides of school club life.

製作：

幸　洋子／Au Praxinoscope

人はなぜ家で猫と暮らすのか。変わりゆく身近な環境変化への戸惑いや、猫と共に家に住む期待と不安を、子どもと大人の二つの視点から探り、見つめ直したアニメーション。

Production：

Yoko Yuki／Au Praxinoscope

Eight-year-old Yon lives with anxiety and questions about being separated from her cat, Kiku, and keeping it confined within the narrow confines of a human home. One day, her mother takes her to a house in the forest to view it as a potential new home. The film evokes childhood memories of growing up with a cat and reflects on the lives of creatures in search of a comfortable place to call home.

製作：

山科晃一

覚醒剤取締法違反で服役の過去を持つ真田は、社会復帰を目指して工場で働きだす。そこで出会った、生きることに不器用な千穂、過去の傷を抱える工場長の佳代子の三人模様。

Production：

Kouichi Yamashina

Keijiro Sanada, who served time for violating Japan’s Stimulants Control Act, takes a job at a factory in hopes of rebuilding his life. There, he meets Chiho Moriyama, a 22-year-old part-time worker whose behavior is unpredictable. Sanada is haunted by his past, while Chiho struggles to find her footing in the present. Kayoko, the factory manager, watches them, carrying the wounds of her own past.